Wednesday, July 8, 2009
These are a few of my..
Sunday, May 17, 2009
Where demons dare to tread..
Wednesday, May 13, 2009
Truly.. yet another decision
Saturday, April 25, 2009
Watch to know why
“We didn't start the fire
But when we are gone
Will it still burn on, and on, and on, and on...” – Billy Joel, the piano man
Tunes so oft heard, words so oft repeated but credits never duly paid.
Little did I know about the works of Billy Joel when I drove into the parking lot of the Lake Michigan College’s Mendel Art Center to attend the hit Broadway musical “Movin’ Out”. My friends seemed excited and I was amazed by their excitement but indifferent about attending the show- the experience I was to have still unbeknownst to me.
The musical tells the story of a generation of American youth growing up on Long Island during the 1960s and their experiences with life – through their dreams, hopes, friends, lovers, the Viet Nam war, drugs, violence, anxiety, anger and above all their music. Taking us through the lives of Brenda, Eddie, James, Judy and Tony with a super talented ensemble of their friends, the experience was worth every minute spent in that auditorium.
The usher mentioned there were going to be very few dialogues as we were entering the auditorium to take our balcony seats. I did not think much of it until after the play was done with. “Very few dialogues” was an overstatement – “Yes!” is the only word I clearly remember having heard from the dancer on stage. The will, the thrill, the determination, the joy and the excitement in that one word however lingers.
Unlike in my previous experience of a musical where the dancers sang their songs, Movin Out had none of its dancers singing. All the vocals were performed by 3 pianists and their accompanying band from a suspended platform above the stage where the dancers performed.
While the performances, by the band ‘upstairs’, of all-time favorites like Captain Jack, River of Dreams, Its Still Rock n Roll to me dazzled my aural receptors, the stage and the lighting sweetened my visual receptors, and the lead and supporting cast left me encumbered with thoughts of my two left feet. They engaged their bodies in what can only be termed as acts of sheer brilliance and years of strenuous practice.
As I left the hall speechless and in utter awe, I retired my thoughts to the words I half knew…
“Uptown girl…
She's been living in her uptown world
..
I'm gonna try for an uptown girl
She's been living in her white bread world
..
And now she's looking for a downtown man
That's what I am”
Wednesday, May 2, 2007
Whats a hazard? Smell it right here...
The Ecology Center and HealthyCar.org tested the materials in hundreds of cars. They found that the "New Car Smell" is actually a toxic soup being release from plastics, foams and fabrics in our cars. Many of these chemicals, such as PVC, Phthalates, Brominated Flame Retardants, heavy metals, and many allergens, have been linked to dangerous health effects. These health hazards include birth defects, impaired learning, liver toxicity, allergies and cancer. (more)
Shrek: 'Good Model' For Exercise?!

Because of the very high marketability of the characters from the movie, particularly Shrek and Donkey, all sorts of companies have lined up to use them in a cross-promotional effort to push their products.It was more than a bit unusual to read this FOX News story about another surprising product Shrek has been asked to represent--EXERCISE!
I can't help but think about how confusing this must be to little Johnny or Jane who sees their favorite movie characters eating junk foods like Happy Meals, Fruit Loops, or M&M's and then those same characters encouraging exercise.
"Shrek is a good model, especially for children who can benefit from more exercise," Deputy Assistant Secretary Penelope Royall responded. "He doesn't have a perfect physique, he's not a great athlete. We hope children will understand that being physically fit doesn't require being a great athlete."
Royall said Shrek is a "good model" for healthy activity and living. The character stuffs his mouth nonstop with all kinds of nasty stuff while his big ole belly and butt hang out like some kind of tumor. It's what makes Shrek the character funny, but most definitely NOT a role model for children when it comes to health.
Where do I live..?
Utility of Second life for education?
The debate we should be having is about whether SL is able to serve any useful educational function.
And I have to say, having spent a little time in SL over the last few months, I'm somewhat skeptical. Not that I dislike SL, far from it. I'm just struggling to see how it will be used in the near future to support real learning activities in any meaningful, large-scale way.
- The technology required is too advanced (in hardware terms) for many users.
- The ability to dynamically embed external content too clunky.
- The technology too closed.
- Even the 1 to 1 and group communication / collaboration aspects of SL, the primary area where there does seem to be real potential, is labored by being chat only.
Sunday, April 15, 2007
Facts based decisions and Moneyball
By VINCENT M. MALLOZZI
One night last month, Clark Olson sat at his home computer and selected players in three different fantasy baseball drafts.
“It took about three hours,” said Olson, a 38-year-old Seattle Mariners fan. “It was time-consuming, but I actually managed to cook dinner during the second draft.”
Olson is one of the top fantasy sports players in the world. Last year, he nickel-and-dimed his way to the top of ESPN’s Über standings, which rank the online performance of everyone who plays fantasy games across multiple sports.
“Clark is a bit of a legend on our message boards,” said Matthew Berry, the senior director for fantasy leagues at ESPN. “When you consider that 15 million people play fantasy sports, what he has done as a fantasy gamer has been unreal.”
In a thinking-man’s universe where success and failure are mostly a reflection of time spent doing statistical analysis and research, Olson has a galactic edge. He is not only a knowledgeable sports fan, but also a rocket scientist.
Olson worked for five years at the Jet Propulsion Laboratory in Pasadena, Calif., where he helped develop techniques for Mars rovers and other applications in which information is extracted from digital images.
“The job required a lot of computational and algorithmic thinking,” said Olson, who lives with his wife, Rebecca, in Seattle. “That way of thinking and looking at numbers is a benefit when it comes to playing fantasy sports, which is heavily based on statistics.”
In recent years, nearly every would-be general manager in cyberspace has had trouble staying in Olson’s orbit. They have long since come to grips with a sobering reality: They cannot formulate lineups with the same kind of deft drafting, shrewd trading and waiver-wire finds made by a man whose former day job was out of this world.
“Clark is a very impressive, high-skilled player,” Berry said. “He is the Albert Pujols of fantasy sports, a player who consistently produces, a player who is money in the bank.”
Olson is an associate professor of computing and software systems at the University of Washington at Bothell. He graduated from the University of Washington at Seattle, where he also received a master’s degree in electrical engineering, and he earned a doctorate in computer science from the University of California.
He achieved his highest honors in fantasy land through years of studying statistical spreadsheets, newspaper and magazine articles, box scores and rosters. He finished third in the 2002 Über rankings, second in 2003, third in 2004, third again in 2005 and first last year.
Olson has been consistently in the top 10 this year, running 16 teams in ESPN leagues: seven in baseball, five in basketball and four in hockey. He is pondering a return to fantasy bass fishing.
“The key to most of these sports is knowing where to get good information to help determine which players might do well,” said Olson, who lists the 2005 signing of Milwaukee Brewers pitcher Derrick Turnbow as one of his greatest steals.
“Sure, I’m good at problem solving and using analytical skills. But like any other fantasy player, I need to be smart in other areas, like picking up free agents, studying current sports news and trends, paying attention to who’s hot and who’s not, and knowing the rules of each league that I belong to.”
In addition to his ESPN teams, Olson spends about 10 hours a week handling the budgets of fantasy teams in high-stakes events. He competes in the National Fantasy Baseball Championship, which is made up of 375 teams. The entry fee is $1,300 and the top prize is $100,000.
In the past three years, Olson has won two league titles in that event, collecting $5,000 for each. He and a partner also earned $5,000 for winning a league in the World Championship of Fantasy Football.
Serious fantasy players are always eager to team with Olson. In fact, he joined forces with the singer Meat Loaf in the 2004 World Championship of Fantasy Baseball.
“Meat Loaf is a huge fantasy sports fan,” Olson said. “We sat beside each other that year at the draft in Las Vegas. We finished third out of 15 teams in our league and won $1,000. But that didn’t even cover our entrance fee.”
Olson said that real-life general managers had made moves on paper that he would have never made online.
“I would not have brought José Vidro to Seattle to be our designated hitter because we could have better used that money,” he said. “We also traded Rafael Soriano, a great setup man, to Atlanta for Horacio Ramirez, a starting pitcher who is often injured, another move I definitely would not have made.
“And Gil Meche going from Seattle to Kansas City for $55 million, that really shocked me. To me, those numbers just didn’t seem to add up.”
Sunday, March 11, 2007
An eye-opener: more than Monte Carlo!
A better analysis means a better-informed decision.
So...what's the probability that you can benefit from Crystal Ball's simulation and analysis?
Tuesday, March 6, 2007
Maximizing score to make sense!
Determining the Best Combination of Word Senses
The early versions of the uK analyzer at this point simply tried all of the possible combinations of word senses. Each combination activates the applicable constraints, which are combined into a total score for the combination. The combination with the best total score is chosen as the basic Semantic Dependency Analysis, the core TMRs to which other microtheories (such as aspect and coreference) can be applied. In the example sentence, the following choices were made:
- ``a-traves-de'' is INSTRUMENT, since its LOCATION meaning would require ``adquirir'' to be a PHYSICAL-OBJECT.
- ``en'' is LOCATION, since its TEMPORAL meaning requires ``espana'' to be a TEMPORAL-OBJECT.
- ``adquirir'' maps into ACQUIRE, since its LEARN sense requires ``Dr-Andrew'' to be INFORMATION.
- ``Dr-Andrew'' is an ORGANIZATION, since its HUMAN meaning cannot be the THEME of an ACQUIRE concept.
- uK currently has trouble choosing between the CORPORATION and SOCIAL-EVENT meaning of ``compania,'' the object of the ``a-traves-de'' PP. Both can have locations in Spain, and both can be INSTRUMENTS of EVENTs. At this point, uK needs to add information into the ontology that ORGANIZATIONS can typically fill the INSTRUMENT slot of ACQUIRE acts, but SOCIAL-EVENTS cannot. Statistical information could also be consulted to tell us that in this business context the CORPORATION meaning is more likely.
Monday, February 26, 2007
This I believe
In every one of our lives, comes a day when we are faced with the challenge of choosing a career path. For some its passion, for others, its pure belief! Ultimately, what are we looking for? What is the objective function? Do means that appear crystal clear at one point of time, remain unfogged? Read this essay from the 1950s to know more.. This I Believe
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| From the time I can remember, I have wanted to be an actress. No one in my entire family had ever had artistic yearnings, so they looked upon my girlish dreams as a rather silly and impractical phase, which I would surely outgrow and then settle down in Arkansas like my more sensible cousins. But the dreams were still there when I reached the age of twenty, and I came to a rather shaky decision that I had to try it. In the five years since that day, I’ve come to realize that whatever part of myself forced me to strike out rather haphazardly for Hollywood is the only real wisdom I possess. That part of me seemed to know that no matter how difficult achieving my goal might be, or even if I never achieved it, I would be happier striving toward my dream than if I tried to find security in a life I was unsuited for. This knowledge and quiet surety came from within me, and yet seemed to have its source far beyond comprehension of my wavering and indecisive personality. It alone kept me from quitting during that first year in which I discovered how right my family was in warning of the difficulties in store for me with no financial backing. I found expensive dramatic lessons and living costs left almost nothing from my check as a secretary, with the very necessary clothes for studio interviews. But of course what really made me feel like catching the next bus for Arkansas was that in all the offices I managed to invade, not one casting man had looked at me with sudden interest and exclaimed, “That girl has something.” My lovely air castles were quickly shattered, and I was forced to listen to the wiser, inner voice again. This time it had a new message: “Look at yourself honestly.” Well this seemed simple enough, but it turned out to be very unpleasant indeed. One honest glance told me that only by unglamorous hard work over quite a few years would this gangling, unsure Arkansas girl be transformed into my dream of a fine actress. After I recovered from the first shock of this discovery, to my surprise I began to feel stronger and more hopeful about the future. Since then I’ve found this inner voice always spoke the truth or made me try to find it for myself. Of course, I wandered away from it at times or rebelled when it said “no” to something I wanted very much at that moment. But these excursions away from my wiser self led only to confusion and unhappiness. Strangely enough, now that I’ve climbed a couple of rungs of the long ladder up, sometimes I find it harder to listen to the inner voice than when I was alone and struggling. It’s a very quiet voice and is easily drowned out by outside babble. But one word from it is worth a book of advice from the best intentioned friends. The voice seems very stern at times, as it makes me accept the responsibility for my failures and shortcomings, instead of excusing them or laying the blame elsewhere. But while it takes away petty egotism and silly pretensions, the voice whispers of things that send my thoughts and imagination soaring. It tells me no dream is impossible because faith in my inner self will guide me to its fulfillment. This belief in my inner self banishes fear and doubt and frees me to live and love and work to the fullest. |
source: thisibelieve.org
Friday, February 23, 2007
Admissions to US colleges
“The problem has not been lack of creativity in students but lack of creativity in the college admissions process.”Robert Sternberg, dean of arts and sciences at Tufts.
Click Quirky Essays a Window to Future Success?
source: NPR.org